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Rhoma Irama gave lecture in, 2015 Background information Birth name Raden Haji Oma Irama Also known as Raja Dangdut (King of ) Born ( 1946-12-11) December 11, 1946 (age 72),, Indonesia Genres Occupation(s) Musician, singer, songwriter, actor Instruments Vocals, guitar Years active 1967–present Associated acts, Website Raden Haji Oma Irama (born December 11, 1946, in, ), known as Rhoma Irama, is an Indonesian musician, singer, songwriter, and actor. Papke peredvizhki vesna bez registracii. Starting from the late 1960s, he began his musical career as Oma Irama as a part of the pop band Orkes Melayu Purnama, pioneering several dangdut music elements.
He then formed his band, achieving multitudes of musical successes with groundbreaking dangdut style which incorporates Western, Malay, and influences. From the late 1970s, he began transforming into more -oriented style, commanding the religiously pious popular music culture. During the height of his stardom in the 1970s, he was dubbed 'Raja Dangdut' ('the King of Dangdut') with his Soneta Group.
He has also built his career on the film industry. He has been active as well on the political arena, with a history of joining campaigns for Islamic Party. Rhoma Irama in musician suit, 2010 Oma Irama's first bands were known as Tornado and Gayhand, and covered Western rock and roll music of,,.
In the late 1960s Oma Irama, sang jawa and also some pop Indonesia music. In 1968 he joined the group Orkes Melayu Purnama in 1968. This group pioneered elements of the dangdut style within music – the drum was changed to double drum, the electric guitar's role was expanded, and the, or bamboo flute, adopted a style reminiscent of Bollywood music. He also recorded pop Indonesia music during this period with the Zaenal Combo and Galaksi, while the album Ingkar Janji was recorded in 1969 with Orkes Melayu Chandraleka. Early 1970s: Soneta Group [ ] Once Oma broke from recording with the Purnama Group, he formed Orkes Melayu Soneta (taken from English word ), which became the first dangdut group in 1970.
The subtitle, the sound of Moslems was added in 1973. The group featured Oma Irama and as singers, both solo, and duets. Their first album, Volume 01, Begadang ('Stay up all night'), released in 1973, featured four songs by Oma Irama, three by, and three duets. The song featured a topless Oma Irama wearing tight trousers and holding an electric guitar. His choice of pose showed the influence on his music of Western bands, influences which also found their way into his music – Orkes Melayu was in his opinion was too soft, too acoustic, too polite, and unable to compete against the power and energy of rock music, and so the music was electrified, with keyboard, two electric guitars, electric bass, as well as the traditional suling and gendang.
He has stated that he took his guitar style from of. In addition to Western and Malay influences, composers were credited for some of the band's songs. The Begadang album ranked #11 on 's ' list. Furthermore, the main single 'Begadang' reached at number 24 on the magazine's ' list.
His 1973 hit ', one of the best-known dangdut songs of all time, was the first to use the newly coined, and arguably derogatory, term dangdut, distinguishing the Javanese Orkes Melayu music, heavily influenced by Indian records, henceforth dangdut, from the established Orkes Melayu, associated with North Sumatran. Once Soneta was established in the early 1970s, Oma changed his name to Rhoma and went on a decade long run of successful hit records and films, all of which starred Rhoma playing himself while performing all of his hits. He wrote the classics 'Kereta Malam' (night train) and 'Kuda Lumping' which were sung. Performing live, he adopted many of the props of, including large audiences, powerful soundsystems, complex sets, fireworks, flashing lights, and smoke machines.
He is also notable with the use of some notable musical instrument including various models of guitars. This particular guitar was shown off in his posters, leaflets, movies, and pin-ups.
Late 1970s onward: Islamic pious music [ ] Following his 1975, he took the name Rhoma Irama, which is an abbreviation of 'Raden Haji Oma Irama' (Raden is an aristocracy title for and cultures). Kurs programmirovaniya lego mindstorms ev3 robota v srede ev3 cube. Following this pilgrimage, he took on a more explicit Islamic moral tone, adopting Islamic dress, shorter hairstyles, and ejecting band members who consumed alcohol or had extra-marital sex. He also resolved that his music should instruct, and not merely entertain, a form of devotion waged through music. Themes in his music included extra-marital sex, government corruption, drugs, and gambling.