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Best Cities In Europe Ancient Rome Bella Italia Old Photos Italy Romans Nostalgia Tower Places Forward Torre delle Milizie e le demolizioni nel Giardino delle Milizie dei Mercati di Traiano 1929 (??). Dostoevsky, Raskolnikov, and Freedom in Crime and Punishment Author and philosopher V.V. Zenkovsky once wrote, “The theme of freedom, as man’s ultimate essence, attains equal acuteness and unsurpassed profundity of expression in Dostoevsky.” (Knight 42). This is a powerful assertion, but in order to fully understand the.

This book provides the first detailed account of Gramsci's work in the context of current critical and socio-cultural debates. Renate Holub argues that Gramsci was ahead of his time in offering a theory of art, politics and cultural production. Gramsci's achievement is discussed particularly in relation to the Frankfurt School (Adorno, Horkheimer, Benjamin, Bloch, Habermas), to Brecht's theoretical writings and to thinkers in the phenomenological tradition especially Merleau-Ponty. She argues for Gramsci's continuing relevance at a time of retreat from Marxist (.) positions on the postmodern left. Antonio Gramsci is distinguished by its range of philosophical grasp, its depth of specialized historical scholarship, and its keen sense of Gramsci's position as a crucial figure in the politics of contemporary cultural theory.

We give an accurate historical and scientific account of a practically unknown manuscript written by Ettore Majorana in French. The retrieved text deals with Quantum Electrodynamics by using the formalism of field quantization, and it is here reported, for the first time, in English translation. It is likely related to an invited talk for a conference at Leningrad (or Kharkov) in 1933 (or 1934) which, however, Majorana never attended. Probably this manuscript is one of the last missing papers of (.) the “Senatore folder”, given by Majorana to one student of his at the University of Naples in 1938, just before his disappearance. Antonio Ungar (Bogota, 1974) has published two novels: Zanahorias voladoras (Alfaguara, 2004) and Las orejas del lobo (Ediciones B, 2006). This paper aims to analyze the two literary works, based on the relationship between abjection and revolt (Kristeva 2006 (1980), 1998 (1996)) presented in the novels. This relationship will make it possible to understand, to a great extent, the author’s esthetic proposal, as well as his position in the current Colombian literary field and his answer to the social conditions (.) of his time.

The article is intended to present how saint Anthony of Padua’s preaching is connected with the city. Through some examples taken from hagiographical legends and sermons, the author reconstructs the changing attitudes of hagiographers and preachers linking Anthony sometimes to a general urban context and, later in time, to the city of Padua. In particular, the article focuses on some texts that highlight the effect of the preaching of Saint Anthony on his target audience, that is, the population of the (.) city in which he spoke. The period of analysis is primarily understood during the saint's canonization in the mid-fourteenth century. Despite this, some references to authors of the later period will be made as a comparison and deepening of the panorama offered.

At the end of the Middle Ages, Saint Anthony would eventually be, to some extent, the model for the mendicant friars, perhaps attracted by the saints closest in time. Born in Granada, April 30, 1901, Antonio De Luna was educated in the universities of Granada and of Madrid, continued his studies at Freiburg in Bresgovia, Paris, and Oxford and received the doctorate in law from Bologna. At the age of 27 he was appointed to the chair of natural law at the University of La Laguna in the Canary Isles, and from there went on to Salamanca and Granada. In 1932 he obtained the chair of international public law (.) of the Faculty of Law of the University of Madrid.